VIKUS: Past Visions — Streams and Traces, Berlin

VIKUS: Past Visions

The 1,492 drawings of Frederick William IV on one zoomable timeline — from the whole collection down to a single pencil stroke.

Year
2016
Type
Research
Exhibited
Streams and Traces, Berlin
Role
Visualization design · Code
With
Katrin Glinka · Marian Dörk

Frederick William IV of Prussia (1795–1861) left behind a collection of 1,492 drawings: witnesses to historical events like wars and revolutions, to literary influences, to the planning eye of a king full of architectural visions and dreamy drafts — and to a personal obsession with the devil. Past Visions makes this collection explorable as one continuous visual field.

Past Visions interface: 1,492 drawings on a zoomable timeline (opens the live project)

The interface is a zoomable user interface in the browser: all 1,500 sheets arranged along a semantic timeline, filterable by themes, and zoomable from the full collection down to the texture of a single pencil stroke in high resolution. The project was part of the research initiative »Visualizing Cultural Collections« (VIKUS) at FH Potsdam, investigating the potential of visual exploration for digitized cultural heritage.

Making that feel effortless was the hard part: handling 1,500 high-resolution images at a fluid 60 fps, keeping look and feel consistent across zoom levels, and shaping a timeline that reads at every scale took countless iterations — some of the process survives in screenshots. An early prototype was already on show at Streams and Traces in Berlin in 2015; the system later generalized into the open-source VIKUS Viewer and remains an experiment in pushing what the web — and information access in general — can feel like.

Developed together with and for the Urban Complexity Lab (Katrin Glinka, Marian Dörk). Dedicated to Jef Raskin, father of all Zooming User Interfaces.

Credits
Christopher Pietsch — visualization design · code · with Katrin Glinka · Marian Dörk
Published
Past Visions & Reconciling Views — Digital Humanities Quarterly 11, 2017
Exhibitions
Streams and Traces, Berlin — 2015