VIKUS: Past Visions — Streams and Traces

VIKUS: Past Visions

1,492 drawings by Frederick William IV on one zoomable timeline — from the whole collection down to a single pencil stroke.

Year
2016
Type
Research
Exhibited
Streams and Traces
Role
Visualization design · Code
With
Katrin Glinka · Marian Dörk · Carsten Dilba (SPSG) · Stephanie Neumann · Matthias Graf
Tech
D3.js · PixiJS · WebGL

Frederick William IV of Prussia (1795–1861) left behind more than 7,500 sheets of drawings: witnesses to historical events like wars and revolutions, to literary influences, to the planning eye of a king full of architectural visions and dreamy drafts — and to a personal obsession with the devil. Past Visions makes the 1,492 sheets cataloged at the time explorable as one continuous visual field.

Past Visions interface: 1,492 drawings on a zoomable timeline (opens the live project)

The interface is a zoomable user interface in the browser: all 1,492 sheets arranged along a semantic timeline, filterable by themes, and zoomable from the full collection down to the texture of a single pencil stroke in high resolution. The project was part of the research initiative »Visualizing Cultural Collections« (VIKUS) at FH Potsdam, investigating the potential of visual exploration for digitized cultural heritage.

The English Past Visions interface in a still from the demo video: a sidebar headed »Past Visions, penned by Frederick William IV« explains the keywords, the timeline and how to zoom, rotated keyword tags such as »Potsdam«, »Sacred Buildings« and »Secular Buildings« run across the top, and the drawings stack up by year along the timeline

Making that feel effortless was the hard part: handling 1,500 high-resolution images at a fluid 60 fps, keeping look and feel consistent across zoom levels, and shaping a timeline that reads at every scale took countless iterations — some of the process survives in screenshots. An early prototype was already on show as “Past Visions of the Future City” at Streams and Traces in Berlin in 2015, alongside cf. city flows; the system (code) later generalized into the open-source VIKUS Viewer and remains an experiment in pushing what the web — and information access in general — can feel like. The original 2016 interface still runs, and VIKUS Viewer’s FW4 edition now shows 6,905 of the king’s drawings.

Developed together with and for the Urban Complexity Lab (Katrin Glinka, Marian Dörk), in cooperation with the Prussian Palaces and Gardens Foundation (SPSG). Dedicated to Jef Raskin, father of all Zooming User Interfaces.

Credits
Christopher Pietsch — visualization design · code · with Katrin Glinka · Marian Dörk · Carsten Dilba (SPSG) · Stephanie Neumann · Matthias Graf
Exhibitions
Streams and Traces, Galerie erstererster, Berlin — 2015
Recognition
Kantar Information is Beautiful Awards, Interactive Visualization (Longlist) — 2016